Exercises for THE END, Del infinito Gallery

Del Infinito Gallery


Melisa Boratyn



For a long time Luciana Rondolini raised and questioned the value of our cultural icons, fame, idols and why not people. How and in what way do we give certain patterns and meanings to the image that the fashion and entertainment industry orchestrates evilly and brilliantly to generate in us a feeling of desire and idolatry. For this experience, the slogans raised were two: the need for exploration through the work, moving away from the traditional format, to experiment with matter, and the manipulation of space from a more risky and challenging angle.

Melisa Boratyn

All exhibitions

Minimal interventions

Cheap Labour

MAPA Fair, Wunsch Gallery, Buenos Aires

Conexión: Buenos Aires, Madrid

The real, the look

Openart Sweden

XXIV Jorge Klemm Prize, Buenos Aires

Today is a good day to be an activist, Proyecto Pozo


On paper, Del Infinito Gallery

Burton & Rondolini, Fortabat Collection

Like a flash. The otherness. CNB

ARTEBA Fair, Del Infinito Gallery, Buenos Aires

Digital uncertainty

Desire: Four artists from Buenos Aires, FU Art Gallery

Latest disclosures, Hilo Gallery

Geometry as a condition of possibility, FNA

The lineage of the stones, The Mission. Chicago

Vanitas, ABC Art Berlin Contemporary

End of the game.The nature of a fact is its irony, PROA

Impulsarte Grant, La Rural, Buenos Aires, Recoleta Cultural Center

Stoa, Miaumiau Studio

Arteba Fair 2013, Ruby Gallery, Buenos Aires

Tomorrow is just a song away, Ruby Gallery

Arteba Fair 2012, Ruby Gallery, Buenos Aires

My worst nightmares, La Ene

Tiffany, El Cubo

Alucinada, Braga Menéndez Gallery

Cosmic Calamity

Mariette Lydis &

Expansive II The tense calm of the surface MY SILVER PATH, CCSM San Martin Cultural Center

© Luciana Rondolini 2021

© Luciana Rondolini 2021