Luciana Rondolini’s proposal consists of wallpapering the room with drawings of her worst nightmares. Participants are invited to draw their own fears, worries, and anguish as well. In this way, they can be exchanged and then each one will save, throw away or burn the others.
In a new formal search after the apotheosis of the giant ice cream, Luciana takes up for the umpteenth time the obsession with her worst nightmares: the «tragic» dimension of the passage of time, the impossibility of naivety, and the constant enigma of such impossibility.
Hernan Marina
